Film reveals soldier fight after Iraq

AP
"Thank You For Your Service" may be an Iraq war film. But its most harrowing scene is in the sterile, dingy waiting room of the Department of Veterans Affairs.
AP

“Thank You For Your Service” may be an Iraq war film. But its most harrowing scene is far from the battlefield: in the sterile, dingy waiting room of the Department of Veterans Affairs.

There, as countless veterans, many of them wounded, sit for hours waiting to talk to someone, Adam Schumann (Miles Teller) tries to arrange treatment for himself and his buddy, both suffering from PTSD. When Schumann finally gets to the window, he’s told he’ll get to see a doctor — in 6 to 9 months.

You can hear the audience gasp here — more than they gasp during an earlier battle scene, with all its blood. In a quiet way, this is more devastating.

The key strength of “Thank You For Your Service,” an earnest and poignant effort by director-writer Jason Hall (who wrote “American Sniper”), is in these scenes of a wholly inefficient veterans’ bureaucracy, and the shock on the part of returning soldiers that there’s so little help awaiting them after they’ve risked their lives.

“Thank You For Your Service” is based partly on a book by journalist David Finkel, who tracked a group of soldiers returning home to Topeka, Kansas, from Iraq. And it’s in Iraq that we begin, briefly. “I was a good soldier,” Adam says in voiceover. “I had purpose and I loved it.”

In fact, he’s on his third tour of duty. Soon the men are flying home, to lives in various stages of disarray. On the plane, they’re discussing a bachelor party for Will (Joe Cole), but he arrives home to find, tragically, that his fiancee had other ideas. Adam’s buddy, Solo (Beulah Koale), meanwhile, has a traumatic brain injury from an explosion and can’t even retain what day it is.

Adam is ostensibly in the best shape; he has a loving wife and two kids. But what will he do now? He has no job, no sense of purpose like he had on the battlefield. The family has also lost its former home, due to financial issues. Even worse, Adam is haunted and guilt-ridden by a mistake he made in combat. And both he and Solo are wracked with remorse over the death of a soldier in their unit whose wife — by Amy Schumer — is desperate for answers.

Adam’s marriage is also hurting under the weight of his silent suffering. His wife (Haley Bennett) goes with him to seek a spot in a therapeutic program.

“But he’s a veteran,” she says. “That’s what I mean,” comes the reply. “Hundreds of thousands of veterans.”

Effective moments like that, though, alternate with occasional returning-vet cliches, like when Solo has a flashback and punches a hole in the wall.

Teller gives a thoughtful, solid performance as Adam (the real Adam, by the way, has a brief cameo), and Koale is especially moving as a maimed man. An excellent Scott Haze makes the most of a painful but redemptive scene as a man who will forever be changed by a bullet wound to the brain. As for Schumer, she’s to be commended for her understated portrayal of a hurting army widow — but the role is too brief.

In the end, though, what will stick with you most are those depressing bureaucracy scenes, shining a light into the ordeal of returning soldiers face trying to re-integrate into a society that doesn’t know how to absorb them. Hall has said his goal was to continue the conversation he began in “American Sniper.” He has.


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