Collectors and dealers descend on Hong Kong for annual Art Basel fest
Art dealers, collectors and gallery owners gathered in Hong Kong for the annual Art Basel exhibition this week at a time when fairs are increasingly driving growth in the sector and collectors from across Asia flocked to the financial hub.
Art dealers, collectors and gallery owners gathered in Hong Kong for the annual Art Basel exhibition this week at a time when fairs are increasingly driving growth in the sector and collectors from across Asia flocked to the financial hub.
Asia, which accounts for 23 percent of global art sales and 15 percent of private dealer sales, continues to rely heavily on Chinese mainland’s demand although collectors from South Korea, Japan and Southeast Asia are helping to spur growth.
“We also get clients from everywhere in Asia. A large number of the collectors come from South Korea,” said Leng Lin, partner and Asia president of Pace Gallery, which has bases in 10 locations including Beijing, Hong Kong and Seoul.
As buyers from across the globe descend on Hong Kong, dealers are also ramping up their presence, with 14 galleries from the Americas and Europe making their debut at the fair this year.
Chinese buyers have been a huge boon to the global art market, with sales reaching US$13.2 billion in 2017, up 14 percent from US$11.5 billion a year earlier, according to a report by UBS and Art Basel.
A visitor takes a photo of Japanese pop artist Keiichi Tanaami’s “Dream Diary Drawings” during Art Basel in Hong Kong.
The bulk of that came from auctions, which comprised US$9.3 billion, up from US$7.5 billion in 2016 although down nearly 40 percent from a peak of US$15.2 billion in 2011.
The global art market achieved total sales of US$63.7 billion in 2017, up from US$56.6 billion in 2016.
Amanda Hon, managing director of Ben Brown Fine Arts, which has galleries in Hong Kong and London, saw solid sales from Art Basel based on strong appetite at fairs in the Netherlands and New York.
“Usually the people we sell to are people we know and trust,” Hon said.
“It’s rare that we’ll sell to someone new that we just heard of that day ... So we do have a clear understanding with our clients and sometimes we’ll ask them to put down a deposit ... (but) It’s always a little bit touch and go.”
Art fairs have grown increasingly in importance, with Art Basel Hong Kong, which ran from March 29-31, featuring 248 galleries from 32 countries and territories, up from 241 galleries in 2017.
The exhibition coincides with the expansion of galleries in Hong Kong, a key hub for art transactions thanks to the absence of tax and its proximity to Chinese mainland, although rising rents in one of the world’s most expensive property markets pose challenges.
Soaring rents have seen many galleries set up shop in the formerly industrial district of Wong Chuk Hang on the outskirts of Hong Kong island, transforming the area into a new arts hub.
A visitor walks past Danish artist Lilibeth Cuenca Rasmussen’s performance piece “Re-inventing Domesticity and the Decomposing of the Self.
Henrietta Tsui-Leung, owner of Hong Kong-based Galerie Ora-Ora and co-president of the Hong Kong Art Gallery Association, believes there’s plenty of room for growth in the city’s art market.
“We only have 100 galleries in Hong Kong ... definitely below 120. Any established city like New York or London will have over 1,000 or 2,000. There is definitely a lot of wealth in Hong Kong as well. We have a lot of room for growth,” she said.
