Yangliuqing New Year Painting
New Year paintings are always full of symbolism. For instance, in this painting, peaches stand for longevity, bats for luck and fish for prosperity. Traditionally, Chinese people believed that more children will bring more blessings and greater happiness to a home, thus New Year paintings often feature newborns.
When talking about traditional Chinese painting, people usually think of artworks created either by imperial court painters or by so-called literati painters. But there is another quite distinctive form of painting: the New Year paintings, produced mostly by folk artisans. Like few others, the Yangliuqing New Year Painting exemplifies this genre.
New Year paintings first started almost 2,000 years ago in China. Some say they originated from the “Door God” paintings, which were placed on doors to fend off evil spirits and to protect people’s homes. Later, however, it became a tradition for people to put colorful paintings on their doors, walls, windows or even stoves right before the arrival of the Spring Festival or the Chinese New Year as a means to say goodbye to the old year and usher in the new one.
Still popular in China today, particularly in rural areas, New Year paintings are a combination of block printing and hand painting. The whole process of creating such a painting includes drawing, tracing, block engraving, printing, coloring, painting and finally mounting.
Most of these paintings feature rich and bright colors with sharp contrasts. Figures and other subjects in such paintings are usually exaggerated.
Despite the fact that New Year paintings cover a wide range of themes, they all seem to bring the message of good luck, festival atmosphere, praise of traditional Chinese virtues and worship of gods, especially those of fortune, prosperity and longevity.
But most of all, New Year paintings are always full of symbolism.
One of the most favorite subjects of New Year paintings is the cherubic baby, usually holding a lotus flower in one hand, with a big fish clutched under the other arm.
One of the most favorite subjects of New Year paintings is the cherubic baby, usually holding a lotus flower in one hand and clutching a big fish in the other.
For centuries, Chinese people have believed that more children will bring more blessings and thus greater happiness, so babies are a popular theme in these paintings. The fish and lotus, of course, also have a meaning. In Chinese, the word “lotus” sounds similar to “consecutive” and fish is a homophone of “surplus” in Chinese, this painting implies a wish for “prosperity in consecutive years.”
Other symbolic subjects include cranes, pines and peaches for longevity; peonies for wealth and social status; plum blossoms for perseverance, loyalty and grace; lotus flowers and crabs for harmony; oxen and roosters for diligence; tigers for valor; elephants for peace; a monkey riding a horse for immediate promotion to a higher position; and dragons and phoenixes for extremely good fortune.
There are a number of famed New Year painting production towns and villages across the country. They include the town of Yangliuqing, which is located close to northern China’s Tianjin metropolis, Zhuxian Town in Kaifeng in central China’s Henan Province, Taohuawu in Suzhou in east China’s Jiangsu Province, Yangjiabu Village, also located in east China’s Shandong Province, as well as Mianzhu in southwest China’s Sichuan Province.
Despite being produced across the country, Yangliuqing is the one place generally considered the leading producer due to its well-preserved tradition and long history.
Yangliuqing’s tradition of producing New Year paintings dates back more than 600 years to the late Yuan Dynasty (1206-1368).
Located about 20 kilometers to the west of Tianjin today, Yangliuqing Town saw its prime years during the middle and late Qing Dynasty (1644-1911).
Back then, more than 30 villages engaged in the production of New Year paintings which were sold all around the country.
Yangliuqing New Year paintings are known for their vivid colors, dramatic designs, radiant festive vibe, greatly varied themes and exquisite block printings.
Over centuries, Yangliuqing has witnessed many ups and downs in its New Year painting business and development. After the founding of New China in 1949, in order to protect traditional Chinese folk art, the central and local governments have offered great support for the town to continue production of New Year paintings.
In 2006, the State Council, China’s Cabinet, listed Yangliuqing New Year paintings as an intangible cultural heritage.
